March 1), at the annual AWP (Association of Writers and Writing Programs) conference, anywhere from 1. America. There will be more than 4. A parallel conference of countless off- site events will occur simultaneously, so that anyone with any gumption will have an opportunity to read and promote themselves. Does that boggle the mind? Do the colossal numbers to which this professional guild has grown signify the health or sickness of writing?
Alas, discussion of the ultimate goals of literature will not be part of the official record at AWP, since out of the hundreds of panels none seem to be devoted to asking such worrisome questions. Instead, the panels repeat a few characteristic anxieties: how to convert autobiographical experience within particular identity niches into saleable memoir, how to get funding and recognition for one! Notice that the profession presents itself as so totally victorious over literature that it need not ask any questions beyond process and mechanics: every panel seems preoccupied with . Their rationales for the mind- boggling proliferation of MFA programs at American universities over the last three decades reveal a self- serving vocational bias, immune to criticisms with legitimate historical and philosophical grounding. As a result, critics like myself. Rarely is the substance of our criticisms addressed in the increasingly desperate apologias mounted on behalf of a bureaucracy that has exceeded all expectations since the AWP was founded with modest aims in the late 1. Today one goes to AWP not for criticism but for self- validation. A recent defensive screed, appearing in Inside Higher Ed on July 5, 2. A phenomenon cannot be justified as morally sound because of its prevalence. Just because hundreds of writing programs have recently cropped up in American universities, and just because they are financially successful for institutions, does not mean that they are good for writing. The false promise held out by a gathering of AWP. I would add that therapy in these programs functions within a narrow range of white middle- class norms, so it is not surprising that the typical MFA student also comes from a narrow background. Amazon.com: The Awp Official Guide to Writing Programs (9780913218105): D. Download the official AWP Conference & Bookfair app for your. The AWP official guide to writing. AWP guidelines for creative writing programs --AWP program directors council policy guidelines for adjunct faculty in. Guide to Writing Programs to find hundreds of writing programs in the US and throughout the world. For advice on how to choose your. Creative writing is any writing that goes. Sheer numbers cannot hide this fact. Certainly, minorities are increasingly found in writing programs, but any observer of the scene will note the tremendous pressure to conform. This is why there is so much interest in memoir as originating from the self. The idea that workshop pedagogy leads to conservative outcomes should not sound surprising to anyone with knowledge of literary theory, but the profession acts in shock when any such proposition is advanced. It. Without workshop, one starts allowing literary criticism and literary history. It is the apologists, in fact, who act as if workshop persists in an ideological vacuum, as though there can be no other method to train writers. Similarly, a vast literature exists to show the parallels between therapy and writing workshops, a body of work I explicitly recognize and assess, whereas this particular set of defenders of workshop makes no recognition of this internal critique from within the profession. The charge is often made simultaneously that my ideas are so well- known as to be unoriginal and that they are so radical as to be unsubstantiable; both cannot be true. Furthermore, being able to reach a broad audience does not make one a talk show host. The interest of the designated apologists is to silence dissenting voices at all costs. There is the larger question of the crisis in the humanities, of which scholarly skepticism toward the humanities. Does the atmosphere at AWP speak of the humanities as a live phenomenon, able to speak to issues of concern to the public at large, or does it speak of a radical diminishment of ideas liable to be dangerous if they get out? After all, who wants to undergo the rigors of studying history or philosophy when the very idea of liberal education under humanistic premises has been shown to be a sham? Art is served poorly when it is made a fetish outside time and space, outside the history which always makes it real and pertinent. The severance of literature and criticism is a reality with terrible consequences the defenders of workshop are at pains to ignore. All is not well in writing and publishing, the claims of the AWP hierarchy notwithstanding. I would pose the following questions as starters toward a productive conversation which looks beyond the knee- jerk defense of a system that has assumed all the airs of a sacred theology: -What is the ideological dimension of the MFA system when it comes to the class interests it protects and serves?- If the system is predicated on replication and uniformity? Are the boosters willing to recognize the new means of exclusion and delegitimation that have been put in place to counter those not inclined to follow the favored professional track?- At what point is anarchic breakdown within the hegemonic system actually a service rather than a disservice to writing? What would be the conditions inviting such a breakdown? In short, is it fair to see writing as a commodity, a business, or a credential? If the answer is no, then how can writing teachers. Almost the totality of young American writers are encouraged to approach their vocation now through the institutional system firmly in place. Debt and disappointment are often the results, except perhaps for those lucky enough to find spots in the most prestigious schools and thereafter find jobs teaching writing to others. Literary writing has become almost completely assimilated inside academia. Nearly all writers are professors first and writers second. Is this a healthy situation, especially if one narrow pedagogy? What effects does this have on the forward advancement of literature? This, it seems to me, is the question to answer, rather than carping at critics who point out the obvious. And it seems strange indeed that not a single panel out of hundreds at AWP is devoted to addressing this ultimate question. The bunker mentality of the defenders of creative writing prevents them from seeing that their profession has evolved as a result of the long- maturing crisis in the humanities. Creative writing is a curious apparition, having split off from the traditional humanities to permit self- expression without depth of knowledge; in effect, it is a pastiche of the humanities, the credential without the foundation. It happens to produce outsized financial rewards for universities because of the elastic supply of substitutable instructors, providing a model of low- stakes instruction that avoids the scrutiny of measurement otherwise obsessing academia only because it wears a fuzzy cloak of outcomes. The humanities have taken a body blow in recent decades because of accusations of lack of utilitarian value in a technocracy, and part of the response has been for creative writing to step into the breach to produce a culture that makes virtues out of the original flaws, doubling down on all that is perceived to be wrong with the humanities. The economic grievances of endless surplus academic labor in the new corporate university have become redirected toward harmless memoirist expression within identity niches, an arrangement quite satisfactory to those in control of the purse strings. Increasingly, the justifications offered for creative writing are the ones that used to be offered for liberal education in general, except in watered- down form and without any specific promises. For the defenders of workshop, there is no crisis in the humanities (because previously suppressed voices are supposedly finding self- expression), there is no crisis in writing, there is no crisis of any kind. But the truth is that serious fiction and poetry have hardly any audience outside academia today, a result that came about deliberately rather than coincidentally. One can imagine the degree of professional competitiveness. Each year, as this year. Deviation from these standards then becomes an impossibility, because the sheer weight of opposition grows too large to be countered by any individual. It has become an amazingly collectivist enterprise, which seems the whole point of the official conference as well as the parallel off- site networking that only confirms the formal tendencies. There was a big fuss among exhibitors this year when it looked like the bookfair wasn. The public (even if allowed into the bookfair for a look- see on a single day) is quite beside the point and is not why writers become writers these days; they do it so they can teach and get funded. One notices too that despite the hundreds of panels, the same limited number of individuals seems repetitively prominent, and that the count stays more or less stable from year to year. Growth is rampant and obscene, but in the end peripheral, since opportunity for any real literary success simply cannot be accommodated in such volume; this leads to the inevitable paradox of writing being deflected from its true goals and becoming obsessed with justifying the reach of existing practice. Serious writing has become like a magic art with secret practitioners and overlords with mystical powers: meanwhile, it is hard to convince scholars outside the creative writing vocation (not to mention the public) that the profession serves any humanistic function, when the writing is so class- bound, therapeutic, mediocre, and self- serving. To assert this is not to air dirty laundry, exposing the profession to an unnecessary hostile gaze; it is to ask the profession to look closely at the ways economic constraints and class biases blind us to the more utopian dimensions of writing. Or one can just go to AWP and get with the program. Robot Check. Enter the characters you see below. 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The Essential Nilsson by Harry Nilsson on Apple Music. Tunes Review. Anyone looking for a comprehensive career retrospective of Harry Nilsson’s unusual career will be well- served by this smartly chosen collection. His breakthrough hit single—a version of Fred Neil’s “Everybody’s Talkin’” from Midnight Cowboy—is here, along with the daring genius of “1. Cuddly Toy,” “Without Her,” “I Guess the Lord Must Be in New York City,” and the mono- single version of “One,” a tune most familiar through its Three Dog Night cover. Nilsson Sings Newman is represented, as is the incomparable Nilsson Schmilsson album. Anyone seeking the wit and wisdom that led John Lennon to becoming barmates with ol’ Harry need only hear “Without You” and “Coconut” to understand the inspired lunacy that charmed everyone who knew Nilsson. His career became shaky after a point, but this collection sticks to his inspired moments. His heartfelt versions of “As Time Goes By” and “All I Think About Is You” show a tender side of the mad genius. His initial series of albums in the late '6. Beatles, who found a natural affinity with his knack for catchy melodies, witty lyrics, and extraordinary vocal range. Thought of as a songwriter first and a performer second, he became a pop star himself in the late '6.
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Nell'espansione Legion sono state aggiunte le Isole Disperse, che si collocano tra i Regni Orientali e Nordania. Le terre e i mari che costituiscono l'ambientazione di World of Warcraft sono molto estesi e richiedono diverse decine di ore di gioco solo per visitarli estensivamente. Vi si trovano i tipici elementi delle ambientazioni fantasy medievali come deserti, foreste, valli, praterie, villaggi, accampamenti e territori desolati. Sulle isole e nei continenti i personaggi possono spostarsi liberamente a piedi (sul terreno) o a nuoto (nei laghi e nei fiumi). Un personaggio di livello 2. Tali cavalcature possono essere comprate (dopo aver raggiunto un certo livello di reputazione) o acquisite in seguito ad un'offerta da parte delle fazioni, ottenuta sconfiggendo un nemico particolarmente forte in un'arena. Alcune classi, come druido, sciamano, stregone e paladino, offrono propri mezzi di movimento aggiuntivi, dotati di caratteristiche diverse. With the elemental realms now open to the world. Blizzard announced the World of Warcraft: Cataclysm Collector's Edition. Cataclysm was already said to be on track for release in the latter part of 2010 prior to this. Ad esempio, i druidi sono in grado di trasformarsi in diverse creature (come l'orso, il gatto o il lunagufo) adatte al combattimento e altre pensate espressamente per facilitare gli spostamenti (. Nel corso del gioco possono essere acquisite molte altre cavalcature di svariate razze e tipologie, sia terrestri che volanti. Ogni fazione ha dei luoghi di accesso privilegiati, i . Per poter utilizzare un punto di volo, per. Esistono anche punti di volo neutrali, ovvero accessibili ai membri di entrambe le fazioni. Alcuni luoghi non sono raggiungibili se non utilizzando mezzi di trasporto specifici: ad esempio, non . In alcuni casi si tratta dello stesso tipo di personaggi delle tipiche ambientazioni fantasy medievali e della mitologia nordica; sono tuttavia rappresentate anche numerose mitologie e tradizioni, oltre che invenzioni del tutto originali. Il giocatore pu. L'espansione The Burning Crusade ha introdotto gli elfi del sangue e i draenei, Cataclysm ha introdotto goblin e worgen, e Mists of Pandaria ha introdotto i pandaren. Queste razze sono divise in due fazioni reciprocamente ostili, l'Orda (Horde) e l'Alleanza (Alliance). Finora, l'unica razza in partenza neutrale, il cui personaggio pu. Ogni razza controlla determinate aree geografiche, all'interno delle quali si trovano una capitale e un certo numero di citt. Ogni personaggio ha le caratteristiche razziali dell'area geografica controllata dalla propria razza, e in seguito passa la maggior parte del tempo nei territori della propria razza e degli alleati. Visitare le regioni controllate dalla fazione opposta . Per questo motivo, riuscire a penetrare in determinati luoghi, come le capitali avversarie, . In termini di gameplay, la differenziazione linguistica viene resa impedendo ai giocatori di vedere in chiaro il contenuto dei messaggi di chat inviati dai giocatori della fazione opposta. L'elenco delle altre razze presenti in Warcraft . Analogamente sono di varia ispirazione la fauna e la flora di Azeroth, che comprendono specie che riproducono in versione pi. Il loro animo indomito conferisce loro punti bonus allo spirito. Nani: i nani di Dun Morogh, sono da tempo divisi in tre clan da sempre in conflitto: Barbabronzea, Granmartello e Ferroscuro. Oggi sono guidati dal Concilio dei Tre Martelli, composto dai tre rappresentanti Muradin Barbabronzea, Falstad Granmartello e Moira Thaurissian, nella capitale di Forgiardente, scavata interamente nel cuore di Khaz Modan. Possono assumere la forma di pietra, dissolvendo effetti da veleno, malattia e sanguinamento e aumentando l'armatura e sono particolarmente abili in Forgiatura e Archeologia. Dato il clima rigido di Dun Morogh hanno sviluppato un'innata resistenza al gelo. Elfi della Notte: sono la razza originale di elfi, da cui si sono poi evoluti i Naga e gli Alti Elfi, e in seguito gli Elfi del Sangue. La loro capitale Darnassus ha sede su Teldrassil, il secondo Albero del Mondo (il primo, Nordrassil, and. Vivono a stretto contatto con la natura e provano un profondo rispetto per essa, e infatti resistono meglio ai relativi danni. Possono rendersi invisibili da fermi e riescono a schivare pi. Alla morte assumono la forma di fuoco fatuo, muovendosi pi. Risiedevano nella citt. Data la loro corporatura minuta gli gnomi sono in grado di sfuggire a molte trappole e sono avvantaggiati in Ingegneria. Sono abili nella pratica della magia arcana e hanno un po' pi. Approdarono su un pianeta da loro ribattezzato Draenor, abitato dai pacifici Orchi. In seguito alla bevuta del sangue di Mannoroth, per. Qui tentarono di porre fine all'avanzata degli Orchi che li avevano raggiunti schierandosi nell'Alleanza. La nave con cui si schiantarono sul 'isola di Brumazzurra, Exodar, . La luce che li attraversa li rende in grado di curare se stessi e i propri alleati e di resistere ai danni d'ombra, mentre la loro tenacia da loro un bonus all'impatto. Sono esperti in Oreficeria. Worgen: sono esseri feroci e brutali dalle sembianze di licantropo, frutto di una maledizione le cui prime vittime furono gli Elfi della Notte. Quando la maledizione raggiunse il regno umano di Gilneas, guidato da re Genn Mantogrigio, l'imponente Muro Mantogrigio eretto per isolarlo dall'esterno risult. Tuttavia la loro volont. Gli Worgen imparano automaticamente a cavalcare, ma rispetto alle cavalcature tradizionali prediligono adottare una corsa a quattro zampe. Possono aumentare la propria velocit. I loro affilati artigli li rendono molto capaci in Scuoiatura. Orchi: gli Orchi sono originari del pianeta Draenor, dove vivevano in trib. Quando venne fatto bere loro il sangue di Mannoroth da Kil'Jaeden la loro primaria attivit. Con la loro fuga su Azeroth essi crearono un portale per raggiungerli, e nel nuovo pianeta i vari clan assunsero il nome dell'Orda. Dopo la loro sconfitta un gruppo guidato da Orgrim Martelfato si diresse verso Kalimdor, dove Orgrim cadde in battaglia. Il manipolo di orchi, ora sotto la guida di Thrall e Grommash Malogrido cerc. Thrall e la sua gente si stabilirono quindi nella regione di Durotar, dove edificarono la capitale Orgrimmar, in onore di Orgrim. Dopo la partenza di Thrall il nuovo capoguerra divenne il fiero Garrosh Malogrido, figlio di Grommash, che per. Gli Orchi, temprati da mille battaglie, si riprendono pi. Possono scatenare la loro furia aumentando per poco tempo la potenza d'attacco. Non Morti o Reietti: i Non Morti facevano un tempo parte del Flagello, l'esercito del Re dei Lich. Quando egli ne perse temporaneamente il controllo nella Terza Guerra, un gruppo fugg. Riunitisi sotto la regina banshee Sylvanas Ventolesto, fondarono la loro capitale Sepulcra sotto le rovine di Lordaeron, nelle radure di Tirisfal, e giurarono vendetta al Re dei Lich. Perseguitati dagli Umani, trovarono rifugio presso gli altruisti Tauren Totem Runico, prendendo cos. Anche dopo la sconfitta dell'odiato nemico per. I Non Morti possono rendersi immuni a qualsiasi effetto di fascino, paura e sonno e resistono bene ai danni da ombra. Possono inoltre rimanere in apnea e nutrirsi delle carcasse delle loro vittime per rigenerare la loro vita. Tauren: i Tauren sono creature enormi e bestiali dalle sembianze bovine, che abitano le pianure di Mulgore. Vivono da sempre in equilibrio con la Madre Terra, per la quale nutrono un grande rispetto. Dopo la battaglia del Monte Hyjal, edificarono la capitale di Picco del Tuono. All'insaputa di entrambi Magatha avvelen. Il figlio di Cairne, Baine Zoccolo Sanguinario, prese il comando e riusc. Il forte legame fra i Tauren e la Madre Terra conferisce loro una forte resistenza ai danni da natura e una specializzazione in Erbalismo. La loro possente corporatura da loro un incremento di vita massima e di forza, e possono colpire fortemente il suolo con lo zoccolo per stordire brevemente i nemici. Troll: i Troll, divisi in diverse trib. Dopo la vittoria seguirono Thrall nelle Isole dell'Eco, a Durotar, e vennero accolti nella capitale Orgrimmar. A Sen'Jin succedette suo figlio Vol'Jin. Con la partenza di Thrall e la nomina Di Garrosh Malogrido a nuovo capoguerra i rapporti fra le due razze cominciano per. I Troll possono rigenerare la loro salute anche in battaglia e scatenare una furia incontenibile che aumenta la loro velocit. Il Principe Kael'thas Solealto decise cos. I suoi sudditi nel frattempo, da allora conosciuti come Elfi del Sangue e guidati da Lor'Themar, rifiutati dall'Alleanza per essersi alleati coi Naga, vennero contattati dalla regina dei Reietti Sylvanas Ventolesto, ed entrarono a far parte dell'Orda. Kael'Thas, nel frattempo, all'insaputa di Illidan, pass. Gli Elfi del Sangue possono resistere bene ai danni magici e silenziare gli incantatori nemici circostanti rigenerando parte del loro mana. Sono specializzati in Incantamento. Goblin: i Goblin, un tempo schiavizzati dai Troll, assunsero un'intelligenza considerevole, oltre ad un'insaziabile cupidigia, in seguito all'estrazione della kaja'mite, grazie alla quale poterono soppiantare i loro padroni ed edificare la citt. Tuttavia con l'esaurimento del minerale le loro capacit. Con il risveglio di Alamorte e il relativo Cataclisma l'eruzione del Monte Kajaro distrusse l'isola di Kezan, sede del Cartello degli Acqualorda, e ci. Poco dopo la partenza incapparono per. Una volta respinti i pirati dell'Alleanza, Thrall sconfisse anche Gallywix, e lo fece rinunciare al suo tentativo di schiavizzare la sua gente. I Goblin degli altri cartelli invece rimangono tuttora in una posizione neutrale, in particolare il Cartello Spargifumo, che commerciano con entrambe le fazioni. I Goblin sono dotati di una cintura multiuso che consente loro di avere una propulsione frontale o di lanciare missili a distanza. Il segreto di Manonera - Missione. Il Client di Wowhead ! Scarica il client per iniziare. Robot Check. Enter the characters you see below. Sorry, we just need to make sure you're not a robot. For best results, please make sure your browser is accepting cookies. Blizzplanet Diablo II Patch 1. Released—No- CD Patch. The Diablo II patch 1. EST (- 5. GMT). You can download it by login into the Battle. This patch marks the new ladder reset and introduces a no- cd patch. Most users will only need to copy D2. Music. mpq from the Diablo 2 Play CD and/or D2x. Music. mpq from the Lord of Destruction CD. Mac users will need to copy these music files and rename them to . Where can I get a 'No cd patch' for diablo 2? Take on the minions of Diablo in Nightmare Mode for greater. The expansion to Diablo II adds a host of new. Diablo Hellfire (SP Expansion) System Language. Some No-CD/Fixed EXE files work fine in Single Player mode but are detected. Apply the official Diablo v1.09 Patch. Diablo 2 wont stop asking for the disks. This patch marks the new ladder reset and introduces a no-cd patch. Many people complain about the high price of the Diablo 2: Lord of Destruction (LOD) Expansion set. To do so, I think, is to miss the point. If you have installed the Diablo II: Lord of Destruction expansion. Diablo III is an action role-playing. Patch 2.4.2 & Season 7 The community has been making all kinds of helpful guides for Patch 2.4.2. Dat. 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